Yearly Archives: 2018

 

Privalova Catherine

(1930, Tbilisi – 1998, Tbilisi) 

Art  Historian, Prof. Dr., graduated from the Tbilisi State University, Faculty of History and afterwards took postgraduate training at the G. Chubinashvili Institute of History of Georgian Art. 

Since 1958 she worked at the same Institute as a researcher. Since 1963 she was a member of Georgian Artists’ Union. In  1967-1973 she lectured at Tbilisi Academy of Fine Arts,  Faculty of Art History. Since 1978 she worked at the Main Board for Protection of Monuments of History and Culture of Georgia as a Senior Researcher and Head of the Department. 

In  1992-1993 she was a Member of Directorate of  Sh. Amiranashvili Museum of Fine Arts and  since 1996 – Director of the “Betania” Centre for Scientific Research of Painting. 

E. Privalova participated in the I (Bergamo, Italy, 1974), III (Bari-Leche, Italy, 1980) and IV (Tbilisi, Georgia, 1983) International Symposia on Georgian Art, as well as in the Conference on Greek and Georgian Art (Patmos, Greece, 1981), Conference dedicated to the 800th anniversary of the Studenica Monastery (Belgrade, Jugoslavia, 1986), also in the seminar – “Byzantium and Georgia” (Athens, Greece, 1990) and in the International Symposium – “Mount Athos Art of the Byzantine Period” (Thessaloniki, Greece, 1997). 

E. Privalova was an honorary  member of ICOMOS Georgian National Committee, IOFA and Greek Christian Archaeology Society, a Chief Consultant for the International Art Centre Program “Save Kintsvisi Frescoes” and an active member of all the programmes dedicated to the restoration and conservation of the medieval Georgian monuments. She was a co-author of the scientific-popular documentaries as well. 

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Patashuri Giorgi

 

Papashvili Giorgi

 

Mizandari Marina

 

Maskharashvili Giorgi

 

Mania Irina

 
 

Mamaiashvili Irene

  • St. George Cycle of the Church Wall Painting in the Village of Tabakini, “Matsne”, 1979;
  • Representations of Historic Personalities in the Wall Painting of Tabakini St. George Church, “Sabchota Khelovneba”, N7, 1981;
  • For the Issue of the Late Medieval Georgian Wall Painting Iconographic Program, IV International Symposium dedicated to Georgian art, Tbilisi, 1989;
  • Tabakini Wall Painting (Folk Trend in the Late Medieval Georgian Monumental Murals), Tbilisi, 1991;
  • Wall Painting of the West Annex of Gelati Monastery the Blessed Virgin Church, materials of scientific conference dedicated to the 80th anniversary of Tbilisi State University, Tbilisi, 1999;
  • Coronation Composition in the North Porch of Gelati Monastery Main Church, collection of scientific articles of Tbilisi State University Art History and Theory Chair, N11, Tbilisi, 2000;
  • Wall Painting of the Altar Apse in the Blessed Virgin Church in Gelati,  collection of scientific articles of Tbilisi State University Art History and Theory Chair, N2, Tbilisi, 2001;
  • Iconographic Program Peculiarities of Gelati Main Church 16th c Wall Painting, “Literatura da Khelovneba”, N1, 2001;
  • The Proto-Gospel Illustration Cycle in the Wall Painting of Gelati Monastery Christmas Church, “Kartuli Khelovnebis Narkvevebi”, 1, 2001;
  •  The Blessed Virgin Acathistus Hymn Illustrations in the Wall Painting of Gelati Monastery Main Church, collected scientific articles, N3, Tbilisi, 2002;
  • The 16th c (1557-1565) Wall Painting of the Central Space of Gelati the Blessed Virgin Church, “Kartuli Khelovnebis Narkvevebi”, 11, Tbilisi, 2002;
  • Composition Structure and an Artistic Interpretation of the Altar Apse Wall Painting in Gelati the Blessed Virgin Church, Georgian Antiquities, 2, 2002;
  • The 16th c Wall Painting in Gelati Main Church (1557-1578), “Kartuli Khelovnebis Narkvevebi”, 1, Tbilisi, 2002;
  •  Stylistic Tendencies of the Post-Byzantine Murals in the Second Part of the 15th c Gelati Main Church Wall Painting,    collection of scientific articles of Tbilisi State University Art History and Theory Chair, N4, Tbilisi, 2003;
  •  Portrats historischen Personlichkeiten des 15-16 Jhs in der Muttergotteskriche des Klosters Gelati, Georgia, 2003;
  • Assumption of the Virgin Mary Text Illustrations in the Wall Painting of Gelati Main Church, Georgian Antiquities, N4-5, Tbilisi, 2003;
  • The North Porch Paintings of the Church of the Virgin in Gelati, 2003;
  • Some Artistic Issues of the Late Medieval Georgian Monumental Painting (the 16th c Wall Painting of the Central Space in Gelati the Blessed Virgin Christmas Church), “Kartuli Khelovnebis Narkvevebi”, III, Tbilisi, 2004;
  • Some Aspects of the Late Medieval Georgian Monumental Painting, an international conference – “Religion and Society in Our Lives”, Georgian Patriarchy, the Ivane Javakhishvili Institute of History and Ethnography, scientific foundation “Udabno”, Tbilisi, 2004;
  • For the Issue of the Signs of National Peculiarities in the Late Medieval Georgian Monumental Painting, interdisciplinary republic conference, Tbilisi, 2004;
  • The Donative Portrait of Melkisedek Sakvarelidze (for Dating of One Stage of  Gelati Main Church Wall Painting), collected scientific articles of Tbilisi State University, art history, 6, Tbilisi, 2005;
  • A Portrait of David the Builder in Gelati Main Church Wall Painting, scientific researches of Gelati Academy of Science, N10, 2005. 
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