• Gabashvili Mariam

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    Art Historian, Ph.D in Art Studies, Senior Researcher of the Centre.

    Research field: History of the Pre-Christian art; Early Medieval Stone Sculpture.

    Activity: Lectures Arts and Culture of the Middle East I (since prehistory to Islamic period) at the University of Georgia, Department of Eastern Studies, School of Arts and Humanities;

    Member of ICOM

    Address: 17, Khakhanashvili str. Tbilisi, Mob: 599  512962
    e-mail: makagabi@yahoo.com

     

    1. To the History of Metalworking in Pre-Christian Georgia (Following the Treasure Preserved in Oni Local Lore Museum). Tbilisi, 2019 (bilingual Georgian-English book-album);
    2. Artistic Reminiscences of Ancient Zoomorphic Motif on the Medieval Stone Reliefs in Georgia. Proceedings of the International Scientific Conference: “Culture and Art in Contemporary Context”, Batumi Art State Teaching University, Batumi, 2019 (in Georgian with English resume);
    3. From Prehistory to Christianity (Following the Footsteps of Archaeological Cultures of Georgia Through the Perspective of Art History), 2018 (book in English);
    4. Retrospective of Zoomorphic Representations from Prehistoric Rock Engravings in Trialeti. Proceedings of the 2nd International Scientific Conference “Culture and Art: Research and Management”, Batumi Art State Teaching University, Batumi, 2017(in Georgian with English resume);
    5. Georgian Art, Volume Seven of the book series: Chveni Ghirsebani (“Our Values”), Tbilisi, 2015 (in Georgian. author of the chapters: Pre-Christian Art in Georgia; Medieval Georgian Architecture and Stone Relief; Georgian Embroidery);
    6. Trialeti Petroglyphs – Under Destruction (co-author M. Gabunia), Heritage Conservation Regional Network Journal, Eastern Partnership Culture Programme, Regional Co-operation for Cultural Heritage Development, №5, Tbilisi, 2014. see: http://rcchd.icomos.org.ge/?l=E&m=4-4&JID=5&AID=40;
    7. In Search of the Origins of the Bronze Openwork Buckles from Georgia, Kadmos, №5, Ilia State University, Tbilisi, 2013 (in English);
    8. Some Aspects of the Iconography of Zoomorphic Images, Georgian Antiquities, 14, Tbilisi, 2010 (in Georgian with English resume);
    9. Artistic and Plastic Transformation in the Late Antique Georgian Metalwork, Georgian Antiquities, 12, Tbilisi, 2008 (in Georgian with English resume);
    10. To the Semantics of the Bronze Openwork Buckles, Georgian Antiquities, 9, Tbilisi 2006 (in Georgian with English resume);
    11. To the Identification of the Provenance of Two Bronze Openwork Buckles, Georgian Antiquities, 9, Tbilisi, 2006 (in Georgian with English resume);
    12. Silver “Emblema” from Vani, Georgian Antiquities, 3, Tbilisi, 2003 (in Georgian with English resume).
    Posted in Biobibliography.
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